I’m thinking this morning of the extraordinary tension
between distance and perspective, and I’m reminded of the series of paradoxes you
encounter when climbing toward the summit of a mountain. I’ve never climbed the
rarefied heights of the Himalayas or the peaks of the American west and have
only scaled the foothills of the Adirondacks and the Appalachians in the
northeast. Yet I have climbed the slopes of Cuilcagh Mountain in Ireland’s
County Leitrim, Knocknarea outside Sligo Town, and Tents Mountain in County
Cavan.
A
mountain reveals itself in layers as you climb. Just as you are about to reach
what appears to be the summit, another incline yet to be overtaken comes
tauntingly into view. And so on you trod, thrusting yourself forward as if
pushing into a wind.
The
view from the summit is always worth the trek. From the top of Cuilcagh, a mere
2,182 feet above sea level, the view sweeps an astounding panorama of the
valleys of Leitrim, Cavan, and Fermanagh below, and on into Sligo to the west
and Donegal to the north. The smaller Knocknarea, at 1,073 feet, is capped by
Queen Maeve’s legendary burial cairn at the summit. It overlooks Sligo Bay to
the north and the little seaside village of Strandhill to the west. On a clear
day the 360 degree view is stunning. If the clouds hang low or a haze obscures
the valley, wait a while, as they say in Ireland. The weather truly is that
changeable, and usually before long a blaze of sunshine washes over the
landscape.
We
climbed Tents Mountain in Cavan, my son Liam and I, following the long slow
roads through tracts of bog where his grandfather had "won the turf" as late as
1972. Wanting to see what views of the landscape the mountain would yield, we
lugged the camera equipment up the slopes. It was a fine clear summer day. Well
before the summit, we felt the first drops of rain and turned to see the dark
clouds sweeping in behind us. We paused at a large concrete slab atop the water
supply that trickles down to the valley. The limestone slopes of the mountain
were devoid of any trees, sprouting only the occasional small brush. As the
rain began to lash, we did the only sensible thing. We covered the camera bag,
the tripod, and ourselves with our jackets, and—caps pulled over our eyes—lay down
on the concrete bed for a nap.
When
the rains had passed we awoke to the utter solitude of the mountain, what Jack
Kerouac once called “the reassuring rapturous rush of silence.” Then, lifting
our caps from our eyes, we looked about. For just a fleeting second or two we
felt disoriented, that sense of not knowing where you are when you awake. Our
eyes swept the horizon, scanning patches of sunlight on the slopes, shadows of
clouds on the valley below. How insignificant we and our petty cares seemed
amid the sweeping majesty of it all, how humbling the moment.
